Some of Wright's action sequences and CGI are quite impressive, though it's difficult to overlook the obvious influences of Terry Gilliam, Baz Luhrman, and even George Lucas and James Cameron. Rounding out the cast is Adeel Axhtar as Smiegel/Smee. Much has already been written about the casting of ultra-Caucasian Rooney Mara in the role of Tiger Lilly, though she performs the role quite well (avoiding the screeching of her lines in the manner of Jackman and Hedlund). It's so over-the-top that we must assume Hedlund was directed to bring some comic relief to the bleak environment. For some reason Garrett Hedlund plays Hook as if he is imitating Christian Slater who is imitating Jack Nicholson playing Indiana Jones.
Hugh Jackman plays Blackbeard, but can never really reach the necessary level of intimidation or theatricality. Miller has a grasp of the script and character and is the best part of the film. Newcomer Levi, who plays Peter, ranks right there with director Joe Wright's previous discovery of Saoirse Ronan, as child actors with big time screen presence. Where is the fun? Where is the sense of wonderment? In fact, young Peter's destiny seems to be an urgency to assume more responsibility as a leader not live the carefree days of fun and games that Mr. Re-imagining the classics is about the closest thing we get to creativity in Hollywood these days, so it's not the idea of the project that so bothers, but rather the approach.
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Lots of fighting ensues, plus some soaring giant crocodiles, flying pirate ships, and a trio of mermaids (all played by supermodel Cara Delevingne). Part of the tribe is Tiger Lilly (Rooney Mara) who believes that Peter is "the chosen one" who has come to lead and protect them. They soon encounter the tribe that protects the Fairy Kingdom and the fairy dust that Blackbeard so values. Are you depressed yet? Things only get bleaker as Peter escapes with his new friend James Hook (the name is no coincidence). Soon enough Peter finds himself, along with scores of other youngsters, slaving in the fairy dust mines belonging to Blackbeard (Hugh Jackman). Flash forward twelve years and Peter (Levi Miller) is questioning the mysterious disappearance of kids from an environment straight out of a Dickens novel, as well as the hoarding talents of the evil Mother Superior (Kathy Burke). She leaves only a note and a pan flute medallion. This one begins with a talented Parkour-enabled Mother (Amanda Seyfried) dropping off her infant son on the steps of an orphanage.
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Hogan, or even last year's Live TV broadcast featuring Allison Williams as Peter. Writer Jason Fuchs and director Joe Wright (Atonement, Hanna) have created a Peter Pan "origin" story that lacks any touch of whimsy or enchantment from the original books or the numerous film adaptations: the 1953 Disney animated classic, the 1991 Steven Spielberg/Robin Williams/Dustin Hoffman vehicle, the underrated 2003 live action version from director P.J.
Everything is organized and scheduled (just check the calendar on the fridge).
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Instead, we push them to take on responsibility and act 'grown up' heck, most kids today never really experience free play time with their friends. Sadly, these days we don't encourage kids to be kids. The stories were filled with the mischief created by Peter and his Lost Boys buddies from their Neverland home, and although there existed elements of danger (Captain Hook), Barre's story was mostly about holding on to the joy and carefree world of childhood. Children and adults alike were enamored with "the boy who wouldn't grow up". Barre first introduced the world to Peter Pan just after the turn of the twentieth century.